Showing posts with label Krautrock. Show all posts
Showing posts with label Krautrock. Show all posts

Wednesday, 31 August 2011

Neu! - Neu!

Following the second world war, Germany saw a great rise in the production and popularity of avant grade and experimental music. In this era the early Kraftwerk lineup was formed, as was the first iteration of 
Tangerine Dream, both of whom have been featured on numerous pages across The Sonic Music Review. This era also gave birth to Neu!, the experimental krautrock group who are retrospectively credited as being one of the most influential bands of their type from that era.

Neu! - Neu!
Neu! - Neu!

The album opens with 'Hallogallo,' an initial exposition of the pulsing repetitive beats which defined the psychedelic movement from which the band found a significant influence. This is adorned by overtones from processed electric guitar which form the basis of the piece melodically and harmonically. This then gives way to 'Sonderangebot' which is led by the processed metallic scratches of cymbals and gongs yet nonetheless rewards the carful listener with what is in fact a carefully structured piece.

While 'Hallogallo' relies strongly on beat based composition, the later track 'Weissensee' gives an altogether different musical atmosphere from the use of electronic drones which take the main focus in spite of being a 'background' texture. This method of composition likens it to an unformed genre of pseudo-ambient music, a term not coined until Brain Eno's seminal 'Music For Airports' release, reviewed here.

When listening to 'Negativland,' also the name of an unrelated plunderphonics act, the audible ties to progressive rock are clear, while the band embellish the form and instrumentation with experimentalism which would later define Krautrock as a genre in its own right. Given the widespread influence this initial release has given, this is certainly a must-hear for any fans of the early fusion of electronics within a rock context. In spite of commercial non-success, this album is a very proud addition to any musical library.
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Monday, 18 July 2011

Tangerine Dream: Tangram

Released in 1980, 'Tangram' came at a pivotal point in the German band Tangerine Dream's career, meeting at the crossroads of their previous extended form sequencer-based compositions and their decidedly New Age material which was yet to come. It also came as the band introduced a new member Johannes Schmoelling to the group, but despite turbulent circumstances for the band, 'Tangram' went on to become the fifth best selling release from the band, unsurprising when one listens to the album.


Tangerine Dream: Tangram

The album itself consists of simply two tracks: 'Tangram Set 1' and 'Tangram Set 2,' overall lasting an approximate duration of 40 minutes. In the later release, 'Tangram 2008,' these two tracks are divided into seven in total and many of the timbres have been altered.

Track one begins with a moderate paced sequence which underpins the initial section, embellished with an emphatic descending bass partern, later developing harmonically and progressing to include the defining antiphonal analogue brass melody which defines that part of the set. What is notable about the first set is the apparent influence which progressive rock has given, leading to a slightly experimental application of metre and form. This influence from progressive rock contrasts heavily with the final section of the set, which sees a much more subtle and calming quality.

The second track of the album begins with synthesised strings which undergo various suspensions, drawing some similarity in writing to some of Jean Michel Jarre's output in the late 1970's. As the piece develops, sequencers provide a more upbeat underpinning to the music and a strong melody is soon added. A bridge between the two distinct tracks in set 2 revisits the band's much earlier Krautrock begins in its experimental use of noise and non-musical sound. This also occurs later while the synthetic drones which end the set fade in and gradually take the primary focus.

A later compilation, 'Booster,' features a rather fine excerpt from Tangram and is reviewed here.
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Thursday, 23 June 2011

Kraftwerk: Autobahn


During November 1974, the German Krautrock outfit Kraftwerk released their fourth studio album, 'Autobahn.' This album saw a refinement to their more experimental previous sound and set the foundation for their definitive electronic music style. This is widely considered as the first major Kraftwerk release and their 'commercial breakthrough,' paving the way for a musical career that continues to this day and a further seven studio albums.

The title track, the 22-minute epic 'Autobahn' was edited into a single version which reached number 25 on the US Billboard Hot 100 chart and number 11 on the UK charts. This track epitomises the hypnotic atmospheres seen in many of Kraftwerk's output through the use of an extended arrangement with minimal instrumentation and material. The album continues with 'Kometenmelodie' ('Comet Melody'), 'Mitternachht' ('Midnight') and 'Morgenspaziergang' ('A Morning Stroll') which illustrate a more ambient style of writing.

This album represents a key milestone in the development of electronic music, Kraftwerk would later go on to refine their style and famously inspire a great number of synthpop acts from the late 70's and 80's, earning them the titles such as 'The Godfathers Of Electronic Music' and 'The Electronic Beatles'. No other act has been more influential on the development of today's pop music.
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