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| The Pet Shop Boys: The Most Incredible Thing |
Of the tracks on the album, ‘The Clock 10/11/12’ proves to be one of the most interesting and so is focussed upon here. This particular track aptly combines the contemporary dance-influenced electronic writing with the pompous orchestral writing which are both seen throughout this album, beginning with purely electronic elements and after approximately three minutes segueing into a large ‘oom-pah’ score. Without viewing the ballet choreography, one cannot comment on the interplay between the music and dance at this point, however it is not unreasonable to suggest that this point depicts a more rural setting. At any rate, the music suggests very clear imagery and is commendable as such.
The track opens with sustained harmonies from some of the several synth lines which feature in this track, accompanied by several samples manufactured for their electronic connotations. At this point, the samples is question, given their prominence, could benefit from more advanced sonic processing akin to Tangerine Dream’s notable proficiency in this area. While considerations of timbre take place, the drum sequencing and timbre proves a noteworthy mention, being unlike most of the duo’s previous output.
Following the introduction comes the addition of additional musical elements, including a sequenced bassline and an accompanied off-beat synthesiser line which features very accomplished rhythmic interplay. The arrangement also is a testament to the expertise garnered by Tennant and Lowe throughout their career, bringing great variety to the arrangement through the variation of instrumentation which takes place.
Of the 21 tracks available on ‘The Most Incredible Thing,’ this certainly proves well worth a listen.

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