Texturally, most of the album is quite minimal but with Noto's extensive treatment of piano to create grooves, sustains and even percussive rhythms, the album remains a highly credible work. Stylistically, the approach to composition features typical glitch technique but lacks the pace of much Noto material previously released and presents a series of 7 tracks, a total of 43 minutes, of intriguing pseudo-Ambient material.
In a way, for the attentive listener, the minimal instrumentation presents a slight tedium. For this reason, the 4th track, 'Moon,' deserves a special mention for its textural variety and construction of new additional timbres from Sakamoto's piano playing. Much of the album must be considered a complete work rather than a series of tracks, given the fantastic development throughout from its early minimal ambient beginnings to the more notable integration of glitch elements seen in 'Iano' and the highly processed sombre ending, 'Avaol.'
For a review of Noto's later 'Unitxt' album, click here.
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