Friday, 2 September 2011

Karl Bartos: Lifestyle

To precede a full review of the 2003 album Communication, The Sonic Music Review completed the following feature of an earlier track, 'Lifestyle' from the 1993 album Esperanto. The artist Karl Bartos first  found fame as a long-time member of the highly influential German band Kraftwerk, widely acknowledged as driving the synthpop movement of the 80's and developing early techno material. Since departing from the band between the releases of Techno Pop and The Mix, the artist has found success releasing new material under his own name and under the alias of Elektric Music.

Karl Bartos: 'Lifestyle' from Esperanto
When comparing the production styles, Bartos' own work exhibits a more energetic style which separates his own work from that of his former band. 'Lifestyle' is audibly influenced by the high-octane synthpop of years previous, a movement that was largely informed by work for which Bartos is widely credited. In terms of production, the mixing is highly accomplished, possibly due to embracing digital studio technology despite its infancy, a production value garnered from previous work with Kraftwerk.

The piece begins with the main hook, accompanied by a synthetic bass timbre, an early exposition of the main harmonic progression within the piece. Throughout, the artist displays an awareness of the frequency bands occupied by the varying textures, balancing each layer effectively. Considering the age of the work, the resampled vocal textures, the lines "just another headline" and "stealing your time," is very impressive and separates the work from much of the popular music repertoire even today. Phoneme sampling later occupies an entire solo section at the piece's midpoint.


The entire piece is pulled together by the pulsing rhythms derived from audibly electronic percussive elements, unsurprising given that Bartos is a skilled percussionist. Of note also is the well programmed bassline and the interaction between these two rhythmic devices to give a firm foundation to the piece. Overall, this remains a highlight of the composer's output and is well worth a listen to the fan of electronic music, succeeding in far wider appeal than his previous output with Kraftwerk.
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